Weezer Review

Of course, the very point of the Red Album is for Weezer to not take things so seriously, to reconnect to their beginnings while taking the advantage of their rock star status to act seriously goofy. This freedom is entirely within the mind -- musically, this is all easily identifiable as Weezer -- but it invigorates such seemingly by the books rockers as "Troublemaker," where the loopy lyrics are as prominent and irresistible as the hooks.
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The album toggles maniacally between styles, climaxing with "The Greatest Man Who Ever Lived (Variations on a Shaker Hymn)," a satirical mini-epic that switches genres every eight bars, from hip-hop to mock-baroque choral music to Coldplay-esque falsetto balladeering.
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Unfortunately, Cuomo’s once-passionate relationship with his muses has settled into a rut. Weezer dwells on his well-documented obsessions with bad girlfriends and geek nostalgia, but without the usual giddy, mathematically precise songcraft.
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